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Edit Review Frontier Ruckus  Americana 
At a young age, the courses of Matthew Milia and David Jones somehow converged within the large and vaguely defined world of Metropolitan Detroit.. And from that point on, with merely a banjo and a guitar, they moved forward towards one common creation—something that reflected the very world from which they came with a zeal and vividness afforded only to the young. The singular vision of Frontier Ruckus that modernly exists, growing fuller each day, is eternally rattling with a youthfulness impossible to shed. Unblinking and ferocious in its expression, it spits out with every gasp dusky images of a landscape to which it is inextricably bound. And now, infinitely bolstered by the trumpet and singing-saw of Zachary Nichols, the harmony of Anna Burch, the percussion of Ryan Etzcorn, and the piano work of Ryan Hay, Frontier Ruckus is perched in waiting, prepared to bring to the greater world a new, hollering, unyielding poetry—the voice of memory, desperate and beautiful; the very face of a confused and dissolving locality that one can remember as home.
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