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Firmly planted in Asheville NC's thriving roots music scene, Tellico is well schooled in bluegrass but with an unbridled organic “Appalachiacana” sound, combining some of the finest voices, songs and instrumental prowess in western North Carolina and beyond. Anya and Stig's committed, authentic vocals are alloyed with Aaron's flowing and soaring dobro and Jed's textured and expressive mandolin, rooted in the mountain music they grew up with while pushing tradition into a modern Americana sound aesthetic. Storytelling is at the helm of Tellico’s music. All of the songs on Relics and Roses were penned by Hinkle and Stiglets with the exception “White Line-River of Pride,” a Neil Young and Crazy Horse medley of two dirty electric rock tunes buttoned up bluegrass-style. The leading track, “Backstep Blues” [Hinkle] has a “backstep”, a rhythmic hiccup that is typical of old time music, telling the story of a man’s successive retreat from his wife (with the refrain “hey where did your daddy go wrong?”), leaving her with the “backstep blues.” “Calamity”, written by Stiglets, is a tale of disaster sparked by a combination of Hurricane Katrina and Japan’s 2011 tsunami, and the destructive and terrifying images of those events. “Forsaken Winds” is poetry unto itself with the ethereal sounds of Ballance’s pedal steel filling in the spirit of the lyrics; while “Hawkeye Pierce and Honeycutt Blues” is a tongue and cheek raggy romp in an Asheville street busker’s shoes. “Can’t Go Home Again” is inspired by Asheville author Thomas Wolfe’s book of the same name. Anya found the book to be so richly descriptive in Wolfe’s longwinded style, especially when the protagonist DOES go home again, which she said, “reminded me of something that my dad always used to say: ‘you can’t go home again’! Of course you can’t. The comforting idea of home is just that, an idea. You have to face yourself and your life. Running from it, either to home or far away from it, doesn’t alleviate your suffering.”
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